Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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william r clark
en kopmanskaravan kommer till en liten oas,dar de kan fa farskt vatten och nagra timmars vila

ID: 59243

william r clark en kopmanskaravan kommer till en liten oas,dar de kan fa farskt vatten och nagra timmars vila
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william r clark en kopmanskaravan kommer till en liten oas,dar de kan fa farskt vatten och nagra timmars vila


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william r clark

1829-1912  Related Paintings of william r clark :. | matteo ricci var en av de forsta av de manga jesuiter som utforskade kina och indien ritade efter sin aterkomst till enfland 1562. | charles doughty tillbringade endast tva ar i arabien pa 1870 taket | robert mcclures skepp invepp i nvestigator sitter fast i isen norr om bankon 1850-52 | livingstone halsas av hovdingen i en avlagsen djungelby | nordenskiolds fartyg vega ger salut,da det rundar asiens nordligaste udde kap tjeljuskin i augusti 1878 |
Related Artists:
lucas van valchenborch
Lucas van Valkenborch (also "Valckenborch," "Valkenborgh") (c. 1535, Leuven - February 2, 1597, Frankfurt am Main), was a member of a family of Flemish landscape and genre painters.
Jean Delville
Belgian Symbolist Painter, 1867-1953 Belgian painter, decorative artist and writer. He studied at the Academie Royale des Beaux-Arts, Brussels, with Jean-Franeois Portaels and the Belgian painter Joseph Stallaert (1825-1903). Among his fellow students were Eugene Laermans, Victor Rousseau and Victor Horta. From 1887 he exhibited at L Essor, where in 1888 Mother (untraced), which depicts a woman writhing in labour, caused a scandal. Although his drawings of the metallurgists working in the Cockerill factories near Charleroi were naturalistic, from 1887 he veered towards Symbolism: the drawing of Tristan and Isolde (1887; Brussels, Musees Royaux B.-A.), in its lyrical fusion of the two bodies, reveals the influence of Richard Wagner. Circle of the Passions (1889), inspired by Dante Alighieri Divina commedia, was burnt c. 1914; only drawings remain (Brussels, Musees Royaux B.-A.). Jef Lambeaux copied it for his relief Human Passions (1890-1900; Brussels, Parc Cinquantenaire). Delville became associated with Josephin Peladan, went to live in Paris and exhibited at the Salons de la Rose+Croix, created there by Peladan (1892-5). A devoted disciple of Peladan, he had his tragedies performed in Brussels and in 1895 painted his portrait (untraced). He exhibited Dead Orpheus (1893; Brussels, Gillion-Crowet priv. col.), an idealized head, floating on his lyre towards reincarnation, and Angel of Splendour (1894; Brussels, Gillion-Crowet priv. col.), a painting of great subtlety.
oskar kokoschka
Kokoschka was born in Pöchlarn. His early career was marked by portraits of Viennese celebrities, painted in a nervously animated style. He served in the Austrian army in World War I and was wounded. At the hospital, the doctors decided that he was mentally unstable. Nevertheless, he continued to develop his career as an artist, traveling across Europe and painting the landscape.






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